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The Roman Fleet Victorious over the Carthaginians at the Battle of Cape Ecnomus Gm-27781801

Gabriel Jacques de Saint-Aubin (French, 1724–1780) The sea teems with a seemingly endless fleet of warships; a vast battle looms, ships crowd closer and closer to one another. Rows of oars froth up the sea, the frenzied water foreshadowing the impending combat. Standing at opposite ends of the two central ships are the leaders of warring factions. On one deck is the stoic Roman general Regulus, commanding his followers as they attempt to board an enemy ship. Opposing Regulus is the Carthaginian leader Hamilcar Barca, father of the famed general Hannibal. In fanciful reference to Hannibal, the Carthaginian prows are elephant heads armed with imposing ramming tusks.

Gabriel Jacques de Saint-Aubin meticulously described every detail of the foreground ships. He first drew the composition in black chalk and then used pen and ink to further articulate details of the ships, such as their masts and riggings, and the myriad figures. Using a limited palette of deftly applied watercolor--gray, brown, and blue--Saint-Aubin sensitively colored the sea and sky.

The first Punic War (264-241 BC) was a conflict largely fought at sea. Involving over three hundred vessels, the battle depicted here was one of the largest navel battles in history. The smaller Roman fleet defeated the Carthaginian by dividing their forces into four squadrons and waging four separate battles.

This drawing is one of a series of illustrations Saint-Aubin made in the 1760s for an ambitious history of Rome. Engravings after drawings as well as maps were to accompany this multi-volume series which was never completed. In 1789, twenty-nine engraved plates from Saint-Aubin's drawings illustrated a more modest Roman history.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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