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Tobias Burying the Dead Gm-34992701

Jean-Baptiste Deshays (French, 1729–1765) Taken from the Book of Tobias (Tobias, I, 17-18 and II, 4-8) in the Vulgate - or late fourth-century canonical version of the Bible - the subject of this drawing is Tobias burying the Assyrian Jews who have been murdered by Niniveh. Despite the edict of King Sennacherib, which decreed that their dead be thrown outside the city walls, Tobit, the father of the young Tobias, secretly had the bodies of his fellow Jews buried under the cover of night. In doing so, he demonstrated more fear of divine law that commanded the Israelites to tend to their dead, than of the life threatening, unjust edicts of his earthly monarch. The nocturnal scene required by the subject is illuminated only by a fiercely burning torch, brandished by a muscular man descending the stairs. This very elaborate, extremely large, multifigural composition - which appears to be autonomous rather than preparatory in function - has the commanding effect of a painting. Each component plays its part in the drama, from the oppressive architecture of the necropolis to the torch bearer to the repoussoir figures at left and right. The composition is further enlivened by the powerful play with perspective and illumination. By establishing a violent opposition between the white gouache and the various nuances of somber wash, the artist pushed the limits of chiaroscuro to the extreme. Tobias Burying the Dead is one of the most powerful examples of Deshays's so-called tenebrist manner. Throughout his brief career, he demonstrated a marked predilection for scenes in which such contrasts of light accentuate the dramatic character of his subject matter.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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