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Charcoal burners (Les charbonniers) Gm-36261401

Rosa Bonheur (French, 1822–1899) In this wonderful, almost exclusively tonal, drawing Rosa Bonheur has represented two charcoal burners in the clearing of a forest. One of them only faintly appears as a shadow silhouette beyond the smoke in the background. Both hold a long stick, probably a rake used for stirring the charcoal burning on the ground. The sheet is an independent work that is not related to any of her finished paintings, and it remained in the artist's studio until her death. With an extraordinarily rich use of bold and soft applications of charcoal and white chalk, the artist has created a very powerful drawing concentrating on the rendition of the remarkable clouds of smoke from which the second charcoal burner figure emerges. Fundamentally important is also the removal of some of the medium in order to recreate the effects of smoke, and to this end, Bonheur seems to have purposely chosen a greenish paper to accentuate the contrast. Charcoal burners would settle in the forest of Fontainebleau, near where Bonheur lived, during the Spring seasons. They would travel from the regions of Morvan, Picardie and Brie in order to produce charcoal, mainly from oak. When the process of burning charcoal was initiated, the fire could not be left unattended, and these workers would therefore live in the forest, in huts built with oak branches and covered with turf and leaves, working around the clock. They would prepare the kilns on the ground, stack up logs, control the combustion and bag up charcoal when ready. The topography of the Fontainebleau forest retains their former presence, one of its roads still bears today the name 'route des charbonniers' (the road of charcoal burners). Bonheur used to take long walks in the forest, often alone, sometimes in the company of fellow artists, among whom Auguste Allonge. She probably saw this scene during one of her promenades and was inspired by it.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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