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Study for Heinrich von Kleist's Broken Jug Gm-36394301

Adolf von Menzel (German, 1815–1905) This drawing is a preparatory study for one of Menzel's illustrations of Heinrich von Kleist's play, The Broken Jug, a comedy about love and corruption. The plot revolves around a trial in a village courtroom, where a young man named Ruprecht is accused of breaking a pitcher. Actually it is the judge himself, Adam, who broke the jug while pursuing a romance with Ruprecht's fiancée, Eve. The print for which this drawing is preparatory depicts the moment when it is revealed that the judge, Adam, deceived Eve by making her believe that her boyfriend was to be drafted to fight in the East Indies. The night the pitcher was broken, Adam was at Eve's home trying to convince her that in exchange for sexual favors he could arrange from Ruprecht to avoid conscription. The play's title, The Broken Jug, is an analogy to Eve's potential loss of chastity. The highly symbolic names, Adam and Eve, make reference to temptation and the fall of humankind. The sheet demonstrates Menzel's ideas for the composition unfolding across the page. At left, he explored how Eve is comforted with either a caress of her shoulder or her cheek. At the upper right, Menzel focused his attention on different ways of grasping the false enlistment letter, the evidence of the corruption in the story. At bottom right, he considered how to convey the astonished reaction to the judge's corruption with wide eyes and mouth agape. All these expressions are portrayed with a penetrating realism that brings the characters to life.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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