Vittore Carpaccio (Italian, about 1460–1526) In this simple study of the
Virgin Mary kneeling in prayer, Vittore Carpaccio concentrated on the simple lines of her headdress and the crisp folds of her robe. With a brush and a
painterly approach, he applied a rich brown
wash to her form, with dark lines outlining the body and parallel hatching to give texture. Carpaccio then added strokes of white
bodycolor to create brilliant effects of light hitting the surface of the fabric. He produced the drawing as a
preparatory study for a painting.
The
verso contains a variety of sketches that Carpaccio probably produced ten to fifteen years later. In the main image, the Virgin gazes down in prayer, with her disembodied clasped hands placed directly below her. Another study of a hand holding a quill pen projects from the lower left edge.
High Quality Wood Framed Print using museum quality paper and archival inks with a mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.
Giclee Prints are printed on 250 gsm Matte Paper with the finest archival inks. Each print carries a white border around the perimeter. The listed size refers to the overall paper dimensions. The image is printed proportionally within this paper size and includes a small white border. These are Made in USA or Europe depending upon your location.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.