Jacques-Louis David (French, 1748–1825) Fixing the viewer with a dreamy gaze, the fair-haired Telemachus grasps Eucharis's thigh with his right hand while holding his sword upright with the other. In the 1699 French novel
Les Aventures de Télémaque, loosely based on characters from the
Odyssey, the author Fénelon describes how Telemachus, the son of
Odysseus, fell passionately in love with the beautiful
nymph Eucharis. His duty as a son, however, required that he end their romance and depart in search of his missing father.
The ill-fated lovers say farewell in a
grotto on Calypso's island. Facing towards us, Telemachus's blue tunic falls open to reveal his naked torso. Eucharis, seen in profile, encircles Telemachus's neck and gently rests her head upon his shoulder in resignation. In this way, Jacques-Louis David contrasts masculine rectitude with female emotion.
David painted
The Farewell of Telemachus and Eucharis during his exile in Brussels. The use of saturated reds and blues contrasted with flesh tones and combined with a clarity of line and form typifies the
Neoclassical style, which is characteristic of David's late
history paintings.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
