Joseph Mallord William Turner (British, 1775–1851) Ten years after his final journey to Rome, Turner envisioned the Eternal City through a veil of memory. Baroque churches and ancient monuments in and around the Roman Forum seem to dissolve in iridescent light shed by a moon rising at left and a sun setting behind the Capitoline Hill at right. Amidst these splendors, the city's inhabitants carry on with their daily activities. The picture's nacreous palette and shimmering light effects exemplify Turner at his most accomplished.
When first exhibited at the Royal Academy in 1839 with its pendant,
Ancient Rome; Agrippina Landing with the Ashes of Germanicus, the painting was accompanied by a modified quotation from Lord Byron's masterpiece,
Childe Harold's Pilgrimage (1818): "The moon is up, and yet it is not night, / The sun as yet divides the day with her." Like the poem, Turner's painting evokes the enduring sublimity of Rome, which had been for artists throughout history less a place in the real world than one in the imagination.
The painting is in a remarkable state of preservation and remains untouched since it left Turner's hands.
High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.
Giclee Prints are printed on 260gsm satin finish using the finest archival inks. Each print carries a white border around the perimeter. These are Made in USA or Europe depending upon your location.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
