Peter Paul Rubens (Flemish, 1577–1640) In 1612 Jan and Balthasar Moretus, the owners of Antwerp's Plantin Press, commissioned their friend Peter Paul Rubens to design thirteen illustrations for a new
Breviarium Romanum, the Catholic
prayer book; this drawing and the twelve others were completed by March 1614. A friend since childhood, Balthasar Moretus would in his later years write of Rubens, "I loved this young man who had the most perfect and the most amiable character."
The
assumption of the Virgin was a subject to which Rubens repeatedly returned throughout his career. In this version, the controlled,
classical composition echoes one of Titian's
altarpieces of the same subject. The bravura style of
Baroque Italian painters also influenced Rubens's ebullient and dramatically
foreshortened putti.
Rubens began drawing in chalk, which he then covered over with pen, ink, and
wash. The chalk underdrawing contains several
pentimenti, which are most obvious in the figure of the Virgin. These changes of mind, as well as the indents for transfer onto the plate are probably evidence that this drawing was the final of several studies, not the final sheet from which the engraver would work.
High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.