Sebastiano Conca (Italian (Neapolitan), 1680–1764) Mary's beatifically idealized face reflects the heavenly light emanating from the glowing baby
Jesus. Attractive young women coo over the infant, an old man whispers to a bare-chested shepherd cradling a sheep at the far left, and two birds rest contentedly at the foot of the rustic manger. Though on the earthly plane, a young boy holding a dove and shading his eyes in the
foreground seems more like a sibling to the heavenly
putti holding a scroll and a censer over the newborn
Christ.
The young Sebastiano Conca successfully blended this
Baroque wealth of activity with a symmetrical,
classicizing composition centered on the manger. Despite the painting's expansive scale, his brilliant handling lends a cool sweetness that points toward the
Rococo style.
Conca painted this picture for Rome's most adventurous
patron,
Cardinal Pietro Ottoboni. He may also have used this painting as a model for an altar frontal, a pillow-like plaque decoration.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.