Honoré Daumier (French, 1808–1879) Known for his satirical, touching portrayals of contemporary life, Honoré Daumier changed direction temporarily after seeing a newly hung collection of paintings by Jean-Honoré Fragonard in the Musée du Louvre in 1869.
Struck by the expressive power of Fragonard's rapid brushstroke, Daumier paid homage to his predecessor in a series of paintings that included
The Studio. Daumier, who almost never portrayed beautiful women as objects of attraction, succumbed to Fragonard's sensuality and endowed this model with the upswept hair and casual off-the-shoulder costume of Fragonard's females. Emulating Fragonard's manner of sketching on canvas, Daumier made her dress shimmer, drawing with his brush to build the lights cascading from her blouse onto her full skirt.
Aside from touches of gestural brushwork on the man's sleeve, the model's hair, and the woman's brilliantly illuminated skin and dress, this painting's darker
palette and largely subdued brushwork are consistent with Daumier's usual style. The artist hunched over his easel in the background also resembles his frequent depictions of painters or connoisseurs profoundly isolated by involvement with a work of art.
High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.
Giclee Prints are printed on 260gsm satin finish using the finest archival inks. Each print carries a white border around the perimeter. These are Made in USA or Europe depending upon your location.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
