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The Death of Samson Gm-00103601

Unknown maker, Italian, probably Genoese School Blinded and shackled to the columns of the Philistines' temple for public display and ridicule, the Israelite warrior Samson avenged himself by bringing the building down around him and on the heads of his tormentors (Judges 16:21–31). His previously shorn hair, the source of his extraordinary strength, had grown back, returning his power and allowing him to kill more Philistines in death than during his lifetime. Through this immense feat of physical strength, Samson singlehandedly delivered Israel from her enemies. This complex, chaotic composition was intended to be viewed from below, contributing to the sense of the downward movement of the figures tumbling through space. The artist based Samson’s muscular, twisting body on a fragmentary ancient sculpture, the Belvedere Torso, which was frequently referenced in the work of Renaissance artists, including Michelangelo.

Though the painting was originally acquired as a work painted by Peter Paul Rubens (Flemish, 1577–1640) during his first years in Italy, this attribution has since been ruled out on stylistic grounds. The elongated faces and tightly controlled brushwork instead might suggest a Genoese creator, perhaps Vincenzo Malò (Italian, about 1605–about 1660) or Giovanni Battista Merano (Italian, 1632–1698).

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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