Lelio Orsi (Italian, 1511–1587) Bearing sacrificial offerings that include a sheep and a ram
, worshipers approach a statue of
Jupiter at the right. While he took the subject matter and
composition of the frieze from
classical art, Lelio Orsi departed from classicism's characteristic calm and balance by populating the frieze with vigorous, squat figures who sometimes overlap the architecture. The liberal excesses of Orsi's later style are evident in the large-headed, gross-featured youth at right who presents his knifepoint for a woman to touch. Imitating an
antique bas-relief, the
relief is set into a convincing architectural structure with telamones supporting the entablature on either side. Orsi's exaggerated
chiaroscuro helps to achieve the three-dimensional effect. Such sculptural
illusionism distinguishes his drawings from those of his
Mannerist contemporaries. Orsi was well known for his painted decorations on the interiors of buildings, most of which have been destroyed. Scholars know many of his designs for
friezes, similarly
squared for transfer, which they have often connected with decorative projects in his hometown of Novellara.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
