The Crucifixion Gm-00040301

Hans von Aachen (German, 1552–1615) A diagonal line follows the diminishing figures, from the looming body of the good thief at the extreme left edge, to Christ hanging on the cross in the center, to the bad thief at the right, and finally down toward Jerusalem, lightly sketched in the distance. A tumultuous group of figures and horses crowds around the feet of Jesus at the left, with rearing horses, the Virgin weeping, and Saint John pointing at himself; but the top left of the composition remains open. With such techniques, Hans von Aachen created an effect of dramatic spaciousness.

Von Aachen probably made this large and impressive drawing as a preliminary study for a painting. He first sketched the composition extensively in black chalk, which is particularly visible in the torso and hand of the thief in the upper left corner and in the city of Jerusalem in the lower right. Next he laid in the figure groups in gray wash, making extensive use of the white paper for highlights; finally, he worked over the entire composition, defining elements with relatively sparing touches of pen and brown ink.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.