Pietro da Cortona (Italian, 1596–1669) This highly finished study depicts the crucifixion of Christ. Mourning him are the Virgin Mary, Saint John the Evangelist, and Mary Magdalene. Strong diagonals, animated gestures, fluttering drapery, and gray-brown
wash with white
heightening vividly express the dramatic moment. The opaqueness of the white
bodycolor allowed Pietro da Cortona to conceal some of his earlier attempts at drawing the figures, especially that of Saint John, who is bordered by an area of white that covers earlier positions for the right and left arms, the head, and left leg.
The drawing was a preparatory study for a painting Pietro da Cortona made for the high altar of the church of San Tommaso di Villanova in Castelgandolfo outside Rome. The oval painting was commissioned by Pope Alexander VII and corresponds closely to this finished study. The grid lines indicate that the drawing was
squared, a method of preparing a composition for transfer to a larger surface.
High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.
Giclee Prints are printed on 260gsm satin finish using the finest archival inks. Each print carries a white border around the perimeter. These are Made in USA or Europe depending upon your location.
All of our images are digitized from the original or negative.
Questions? Please email service@archivea.com.
Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
