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Massacre of the Innocents Gm-00044801

Amico Aspertini (Italian, 1474/1475–1552) On learning of the birth of Christ, whom the Magi called "the King of the Jews," King Herod felt his throne was in jeopardy. Knowing only that the baby was somewhere in Bethlehem, the king ordered Jewish boys around Bethlehem under two years old to be murdered. Alerted by angels, Christ's parents fled to Egypt and saved him.

For this drawing, Amico Aspertini borrowed from the ancient Roman sculpture that he had seen in Rome five or ten years before. The intertwining figures at right parallel those on ancient Roman sarcophagi. Aspertini's art also included unidealized shapes and awkward bodies. Original and unconventional for the date, his figures look like local peasants rather than ideal types. Aspertini's draftsmanship characteristically included encrusted white highlights, squat figures, and manic energy. Between about 1510 and 1520, he often used this colorful combination of red and black chalk with white bodycolor. His extreme white heightening lends the drawing a feeling of near three-dimensionality.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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