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J. Paul Getty Museum

The Assumption of the Virgin gm-00046601

The Assumption of the Virgin gm-00046601

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Pier Francesco Cittadini (Italian, 1616–1681) Through lively penwork, Pier Francesco Cittadini imparted a sense of movement to the substantial figure of the Virgin and the stable, classical pyramid form of the group. The artist's fertile imagination worked quickly; after doing some sketching with black chalk, he or she applied free-flowing, crisscrossing, tangled threads of ink ranging from the dark squiggles of the Virgin's drapery to the light tracings on the angels' robes below. The fluent washes add drama to the composition.

Cittadina may have based the composition loosely on Reni's painting, The Assumption of the Virgin, in the National Gallery, London, and employed the fluid pen-and-wash style of Reni's drawings from the 1620s and 1630s.

Art Prints are printed on heavy matte finish German art paper using the finest Canon archival inks. Frame is black natural with a white mattboard and Acrylite glazing.

Wall Murals are printed on 42" matte finish, self-adhesive Kodak PhotoText fabric panels that combine and mount easily on a non textured wall surface. We can custom make to any size, just ask.

Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each is canvas hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.


All our images are digitized from the original negative , printed and assembled in Switzerland to museum standards by our master printer.

All of our products are popular and custom made by hand to order, please allow 4-6 weeks to make them and 1-2 weeks for shipment anywhere in the world.

Questions? Please email service@archivea.com

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH. .

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