Spring Sale!  Order $60+ Receive 20% Discount 

Search

Individually made-to-order for shipping within 10 business days.

This section doesn’t currently include any content. Add content to this section using the sidebar.

Image caption appears here

Add your deal, information or promotional text

Large Butterburr Leaves and Grass Gm-00048401

Gilles-François-Joseph Closson (Belgian, 1796–1842) In this study, Gilles-François-Joseph Closson challenged his technical abilities and powers of close observation by painting directly from nature without first making a line drawing. Increasingly, Closson and his contemporaries of the early 1800s were painting landscapes outdoors, using not only watercolor but oil on paper. By immediately rendering his observations in paint, Closson developed his skill at reproducing nature's myriad, constantly shifting colors. He used the oil paint's thickness and saturated, opaque colors to invest the simple leaves with a powerful visual impact.

The butterburr, also known as bog rhubarb, has enormous leaves, which Closson showed in varying phases, from verdant green to withered purplish-brown. At the center, a leaf is beginning to change color, midway between life and death. Closson's choice of a close viewpoint and monumental treatment of what might otherwise seem a trivial subject lead the viewer to contemplate the cyclical nature of life. This theme of the brevity of human life and the transience of earthly pleasures was often treated in still lifes and flower pictures.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

Search