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The J. Paul Getty Museum

Immaculate Conception Gm-00061101

Immaculate Conception Gm-00061101

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Placido Costanzi (Italian (Roman), 1702–1759) Placido Costanzi made this modello, or presentation sketch, in preparation for an apse fresco in a Roman church. He may have shown this highly finished oil study to his patrons for approval before embarking on the actual architectural decoration. Costanzi incorporated the curving ribs of the apse, which would have been carved or molded gilt plaster in the church itself, into the ornamental decoration as a frame for the Virgin.

Above an elaborate sunburst with her monogram, the Virgin Mary dominates the central panel. Saint Luke, holding a scroll that reads "Ecce Virgo" or "Behold the Virgin," occupies the left panel, and Saint John the Evangelist looks up at her from the right. Costanzi used the typical light palette, weightless putti and angels, and artificial sky of Italian Rococo architectural decorators.

Art Prints are printed on heavy matte finish German art paper using the finest Canon archival inks. Frame is black natural with a white mattboard and Acrylite glazing.

Wall Murals are printed on 42" matte finish, self-adhesive Kodak PhotoText fabric panels that combine and mount easily on a non textured wall surface. We can custom make to any size, just ask.

Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each canvas is hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.


All our images are digitized from the original negative , printed and assembled in Switzerland to museum standards by our master printer.

All of our products are popular and custom made by hand to order, please allow 2-4 weeks to make them and 1-2 weeks for shipment anywhere in the world.

Questions? Please email service@archivea.com

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH. .

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