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Cupid and Pan Gm-00068201

Attributed to Federico Zuccaro (Italian, about 1541–1609)

Cupid, the god of love, climbs onto the back of Pan, the god of the wild, who is on all fours. Cupid subdues Pan by grabbing one of his ears, as surrounding onlookers react in apparent shock, gesturing vigorously with aghast expressions. A winged allegorical figure soars above, catching the attention of several figures below. Pan personifies carnal lust, so the struggle between the two gods represents the combat of divine and earthly love. The subject comes from a popular verse from the Roman poet Virgil (70 – 19 BCE): Omnia vincit amor (“Love conquers all”). The scene is set in Arcadia, a romantic paradise inhabited by nymphs and shepherds. The towering trees and expansive depth of the vista reveal Zuccaro’s interest in landscape painting.

The early provenance of this painting is unknown, and it was previously attributed to one of Zuccaro’s contemporaries, Giuseppe Cesari, more commonly known as Cavaliere d’Arpino (1568 – 1640). It was recognized in 1981 that this composition is in part derived from the central vault of the Sala d'Ercole (Room of Hercules) in the Villa Farnese at Caprarola, which was painted by Federico Zuccaro, leading to this tentative attribution. Authorship might potentially be ascribed to one of Zuccaro’s collaborators on this fresco, or to an artist who had access to the frescoes or their preparatory drawings.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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