Bronzino depicts Saint John the Baptist's muscular figure in a restricted space, his torso twisted to accommodate the panel’s vertical format which creates a series of strong diagonal accents, zigzagging the length of the painting. This artificial, serpentine pose marks Bronzino’s move away from naturalism toward a more abstract elongation of forms and more stylized figures, a shift which occurred in the 1540s.
The long, vertical format of this work corresponds to its original function as part of a triptych altarpiece in the private chapel of Eleonora di Toledo in the Palazzo Vecchio, Florence. Bronzino decorated the chapel between 1540 and 1565, as a celebration of the Medici dynasty. The larger, central panel of the original altarpiece (now in the Musée des Beaux-Arts et d’Archéologie, Besançon, France) depicted the Lamentation, which was flanked by the present painting on the left, and Saint Cosmas on the right (a fragment of which is today in a private collection). The saints were chosen by Bronzino for their relevance to the Medici—Saint John was the patron saint of Florence, while Saint Cosmas was the name saint of Eleonora's husband, Cosimo de' Medici.
We make each of our prints one at a time—just for you.
Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.
Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.
Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..
Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.
Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.
Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)
All of our images are digitized from the original negative or print and printed by our master printer to museum standards.
Questions? Please email service@archivea.com or call/text +41 79 265 8891.
Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.
