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The J. Paul Getty Museum

Hunting on the Lagoon (recto); Letter Rack (verso) Gm-00080101

Hunting on the Lagoon (recto); Letter Rack (verso) Gm-00080101

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Vittore Carpaccio (Italian, about 1460–1526) The hinges and latch on this two-sided panel suggest that it was used as a decorative window shutter or a door to a cabinet. The front depicts a scene of Venetian bird hunters, and the reverse shows a trompe-l'oeil (deceive the eye). Contemporary viewers looking at the front of the panel had the illusion of looking into the lagoon, as is evident in this reconstruction of how the panel once appeared.

Groups of three rowers and archers stand in shallow-bottomed boats and hunt cormorants, glossy black water birds. The archers use clay pellets rather than arrows in order to stun the birds and not damage their plumage. A pellet, seen in mid-air, has just been fired by an archer in the boat in the lower right-hand corner and is about to strike the bird in the foreground.

The lily blossom at the bottom left of the painting is out of scale with the rest of the image. Recent examination indicates that the hunting scene served as the background for a scene of two women sitting on a balcony overlooking the lagoon, a panel that is now in the Correr Museum in Venice. That painting has an empty stem in a vase sitting on a balustrade that matches up with the blossom in the Getty Museum's painting. The identical wood grain of the two panels confirmed that they were once a single panel. The two parts were probably sawed apart before the nineteenth century.

Our Cards are all printed on 100% cotton tree-free archival paper. All Cards include a recycled kraft envelope in a protective sleeve individually hand wrapped for you. Each card is printed one at a time and hand bound here in Lugano, Switzerland. We ship all over the world via SwissPost. Please allow 5-9 business days for us to make them and 5-7 business days for transit. Art Prints are printed on heavy matte finish German art paper using the finest Canon archival inks. Frame is black natural with a white mattboard and Acrylite glazing.

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Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each canvas is hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.


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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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