Spring Sale!  Order $60+ Receive 20% Discount 

Search

Individually made-to-order for shipping within 10 business days.

This section doesn’t currently include any content. Add content to this section using the sidebar.

Image caption appears here

Add your deal, information or promotional text

Allegory of Fortune Gm-00094301

Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian (Ferrarese), about 1490–1542)

Found at a flea market and purchased for a modest sum by an anonymous buyer, the seven-foot Allegory of Fortune was strapped to the roof of a car and brought to Christie's auction house in New York City. There, experts recognized it as an important, long-lost allegorical scene by the Ferrarese master Dosso Dossi.

Dosso is well known for engaging with complex allegorical subjects, which are rife with symbolism. While a single interpretation of the painting’s subject has not been settled upon, Dosso's message seems to be that prosperity in life is transitory and dependent on luck. The nude woman represents Fortune, or Lady Luck. She holds a cornucopia, flaunting the bounty that she could bring, but sits on a bubble to show that her favors are often fleeting and could vanish in an instant. The billowing drapery is a reminder that she is changeable like the wind. Her single shoe symbolizes her capacity to bestow not only fortune but also misfortune. The man on the left personifies Chance. He looks over at Fortune and holds up a stack of lottery tickets, which he is about to place inside a golden urn, an allusion to the civic lotteries that had just become popular in Italy. The tickets may also refer to the painting's probable patron, Isabella d'Este, Marchioness of Mantua (1474 – 1539). One of her emblems was a bundle of lots, denoting her personal experience of fluctuating fortune.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

Search