Bernardo Bellotto (Italian, 1722–1780) Bernardo Bellotto was the nephew of Canaletto, a painter renowned for his idealized views of Venice. Together they produced many painted vistas for tourists who stopped in Venice on their Grand Tour of Italy.
Grand Tourists would have purchased these types of paintings as souvenirs and reflections of their cultural sophistication.
In this architectural record of Venice and the Grand Canal, Bellotto presented a cross-section of Venetian society going about business on a sunny morning. Light from the east falls upon the Palazzo Pisani-Gritti with its arched windows and painted façade. A Venetian devotional box housing various types of religious icons hangs below the arched windows of the building at the left. Such boxes were usually placed on a building right next to the canal so that passers-by could pause for a moment of prayer upon leaving or arriving.
Its image reflected in the canal, the
Baroque church of Santa Maria della Salute dominates the right bank. Next to it, behind a shadowy row of houses, stands the
Gothic façade of the
Abbey of San Gregorio. On the far right is the Dogana or customs building. Gondolas and ferries, modes of transportation still in use today, traverse the water between the two banks. The mouth of the canal, where seafaring vessels leave or enter the city, is visible in the distance.
High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.
Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.
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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.
