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Daniel and Cyrus Before the Idol Bel Gm-00107001

Rembrandt Harmensz. van Rijn (Dutch, 1606–1669) When King Cyrus of Persia, seen at the center, asked his confidant Daniel why he does not worship the deity Bel, whose lower half can be seen in the shadows, Daniel replied that he worshipped a living god, not an idol. The king insisted that Bel was a living god and pointed to the offerings of food and wine that Bel consumed every night. Cautiously, Daniel noted that bronze statues do not eat. Cyrus was momentarily bewildered, but the worried faces of the priests in the background confirm that Daniel has exposed their deception. This story of Daniel's dramatic exposure of the king's idol-worship derives from the apocryphal portion of the Book of Daniel.

Light illuminates the figures of Cyrus and Daniel, highlighting their dramatic encounter. Rembrandt contrasted the king's grandeur with Daniel's humility. Facing out and gesturing toward the table, the lavishly attired Cyrus appears large and imposing. By contrast, the youthful Daniel seems small, and his posture suggests modesty or submissiveness before his ruler. Rembrandt evoked the exotic mystery of a pagan cult by showing only part of the monumental idol emerging from the flickering lamplight on the right. Inside the shadowy temple, light catches and reflects off the extravagant finery worn by Cyrus and the gold vessels placed atop the velvet tablecloth.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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