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The J. Paul Getty Museum

The Entrance to the Grotto at Posillipo Gm-11257301

The Entrance to the Grotto at Posillipo Gm-11257301

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Claude-Joseph Vernet (French, 1714–1789) Once you are in position you must take as the subject of your drawing or painting what can be encompassed in one glance, without moving or turning your head. . . . You must copy it as exactly as possible, both in form and in color, and do not think you can do better by adding or subtracting.

So wrote Claude-Joseph Vernet in a letter describing his ideas on landscape painting in 1765. In this drawing, produced outside as an exercise in sketching, Vernet followed his own advice. Focusing on the combination of sunlit rock, overgrown trees, and undergrowth that formed the entrance to the murky tunnel opening at the back, he concentrated on a factual representation of the scene, including the fine roadside tomb on the left. The small chink of light in the midst of the shadow marks the other end of the tunnel, giving a sense of its length and breadth.

Known as the Grotto at Posilipo, this tunnel, cut by the Romans to link Naples with the town of Pozzuoli, was a famous tourist attraction in the 1700s. Visitors admired it both for the drama of its tall, dark, and narrow space and as a feat of Roman engineering.

Our Cards are all printed on 100% cotton tree-free archival paper. All Cards include a recycled kraft envelope in a protective sleeve individually hand wrapped for you. Each card is printed one at a time and hand bound here in Lugano, Switzerland. We ship all over the world via SwissPost. Please allow 5-9 business days for us to make them and 5-7 business days for transit. Art Prints are printed on heavy matte finish German art paper using the finest Canon archival inks. Frame is black natural with a white mattboard and Acrylite glazing.

Wall Murals are printed on 42" matte finish, self-adhesive Kodak PhotoText fabric panels that combine and mount easily on a non textured wall surface. We can custom make to any size, just ask.

Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each canvas is hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.


All our images are digitized from the original negative, printed and assembled in Switzerland to museum standards by our master printer.

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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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