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Demolition of the Château of Meudon Gm-26530201

Hubert Robert (French, 1733–1808) Under a bright, sun-drenched sky, the demolition of the château of Meudon is well under way. In the lower left, a man in a top hat directs four laborers—one clearly shirking his responsibilities. Other workmen transport stones with wheelbarrows or by hand. At center, two women and a young girl admire the ruins. Other visitors have entered the structure and gaze out from a balcony. Another young woman, holding a baby, tends to a group of children playfully lugging a cart across the littered courtyard. At the right edge, an artist with a large sheet of paper on his lap gestures at the scene below.
This diverse human activity—encompassing work, rest, and play—is dwarfed by the château itself, which, although partly demolished, creates a strong diagonal axis through the composition. Hubert Robert also emphasizes the main structure by casting it in strong light. By contrast, many of the figures around the periphery of the composition are shrouded in shadow.
Located near Versailles, with a view of Paris and the Seine River, the château of Meudon was once among France's finest monuments. It fell into disrepair during the 1700s. During the French Revolution, which began in 1789, the château was ransacked and suffered further damage in a fire of 1795. It was demolished entirely in 1803. Rather than documenting the site's actual appearance in that year, Hubert Robert combined fact and fiction, depicting features that had already vanished alongside still-standing ruins.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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