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The Calydonian Boar Hunt Gm-26759901

Peter Paul Rubens (Flemish, 1577–1640) The boar was furiously twisting its body round and round, its jaws slavering with foam and fresh blood...the hero who had dealt the wound came up close to the animal and roused his foe to fury, before finally burying his shining spear in its shoulder.
--Ovid, Metamorphoses

Wrapped in a flowing red cape, the warrior Meleager thrusts his spear into the shoulder of a massive boar. The ferocious creature--seemingly undaunted by a pair of hounds latched onto its bristled hide--has turned to confront head-on its human adversary. Meleager's blow will prove to be fatal to the boar, but the beast has proven itself as a fearsome foe. Beneath its imposing hooves lie the disemboweled carcass of a hound and the prostrate corpse of the hunter Ancaeus.

The story of the Calydonian boar hunt was told and retold during antiquity--most famously in Ovid's Metamorphoses. When King Oeneus of Calydon failed to honor the goddess Diana with offerings, she released a terrifying boar on his land. The king's son, Meleager, assembled a group of renowned warriors to slay the beast. Several of the huntsmen were killed or maimed before Meleager finally defeated the boar. He presented its head as a trophy to his beloved, the huntress Atalanta, who is seen behind Meleager, with bow in hand.

Peter Paul Rubens created this painting a few years after an extended stay in Italy. He drew from ancient sarcophagi and statues he had seen there for the poses of many of the figures. For example, the boar seen in profile was taken directly from a well-known marble in Florence's Uffizi Gallery. Rubens's appropriation of iconic images from antiquity was intended to resonate with learned viewers. For the figures on horseback, Rubens borrowed from his Renaissance predecessors, Leonardo da Vinci and Raphael. But Rubens's dynamic and inventive interpretation of the hunt was wholly his own. With this painting, he established the theme of the epic combat between man and animal, a subject to which he would return throughout his career.

High Quality Wood Framed Print using museum quality paper and archival inks with a white border or with cut mat for a contemporary look. Comes with Acrylite glazing and hanging hardware. These are Made in USA or Europe depending upon your location.

Stretched Canvas is stretched over 1.25" thick pine bars and printed on heavy cotton poly matte finish canvas. Comes with mounting brackets. These are Made in USA or Europe depending upon your location.

Giclee Prints are printed on 260gsm satin finish using the finest archival inks. Each print carries a white border around the perimeter. These are Made in USA or Europe depending upon your location.

All of our images are digitized from the original or negative. Questions? Please email service@archivea.com.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea.

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