Spring Sale!  Order $60+ Receive 20% Discount 

Search

Individually made-to-order for shipping within 10 business days.

This section doesn’t currently include any content. Add content to this section using the sidebar.

Image caption appears here

Add your deal, information or promotional text

Louveciennes, Route de Saint-Germain Gm-27974501

Camille Pissarro (French, 1830–1903) As much as a specific location, this large watercolor represents a particular season. The palette of muted browns, blacks, greens, and blues create an autumnal landscape. The pale blue-gray sky, streaked with clouds, and the sparse foliage, both on and fallen from the almost bare trees, also convey winter's approach. A single figure and, in the distance, a figure and carriage, move along the desolate road curving through the scene.

Camille Pissarro's landscape shows the road to the town of Saint-Germain-en-Laye from Louveciennes, a village west of Paris. Many of Pissarro's landscapes of the early 1870s show the roads into and out of Louveciennes. Pissarro himself lived intermittently in Louveciennes and was part of a close-knit community of landscape painters who lived or traveled there including Claude Monet, Alfred Sisley, and Pierre-Auguste Renoir.

During the early 1870s, Pissarro began experimenting with the emerging Impressionist painting style by returning to watercolor, a medium he had used as a student during the 1850s. Using black chalk, Pissarro first indicated the main features of the composition. He then fleshed out the scene by covering almost the entire sheet with watercolor. Pissarro experimented with some of the spontaneous effects of watercolor, allowing it to pool and tide in some areas and applying it more evenly in others to create a diffuse light. He used broad, wet strokes to define the sky and smaller strokes, with more pigment on the brush, to articulate the foliage and figures.

Also in the Getty's collection, the painting Houses at Bougival (Autumn) was made by Pissarro about one year before this drawing. Although they depict similar subjects, the two works explore different effects. Here, the artist focuses on the fleeting atmospheric effects of light and air; in the painting, Pissarro places more emphasis on the geometric properties of the houses in the landscape.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

Search