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The J. Paul Getty Museum

Head of Saint Joseph Gm-36716101

Head of Saint Joseph Gm-36716101

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Federico Barocci (Italian, about 1535–1612) The present study is for the head of Saint Joseph in Federico Barocci's monumental altarpiece The Visitation, for the Chiesa Nuova, Rome. Extremely close to the head in the final painting, in which there are added wrinkles on Joseph's forehead, the sheet particularly explores the subtle interaction between color and light, while the lower chest and drapery dissolve into darkness. The use of this type of study, painted in oil on paper, was rare amongst the artist's contemporaries, but seems to have played a role in Federico's practice as he neared the completion of his paintings. The inventory made on his death records forty-two such studies ("pezzi di carte colorite a olio") of which fourteen were heads and the others landscapes and animals. Forty-five preparatory studies and bozzetti survive for the Visitation altarpiece, showing that the composition went through considerable refinement; they also document Barocci's obsessive specific process for each figure, including ten surviving studies for Saint Joseph's hands. The painting, nearly three meters high, was finally delivered in 1586. Great admiration followed its installation; a queue lasting three days is said to have formed outside the church, and Saint Philip Neri performed his devotions before it. This altarpiece, along with Barocci's second commission for the church, The Presentation of the Virgin (1590-1603) are among the artist's most acclaimed works.

Our Cards are all printed on 100% cotton tree-free archival paper. All Cards include a recycled kraft envelope in a protective sleeve individually hand wrapped for you. Each card is printed one at a time and hand bound here in Lugano, Switzerland. We ship all over the world via SwissPost. Please allow 5-9 business days for us to make them and 5-7 business days for transit. Art Prints are printed on heavy matte finish German art paper using the finest Canon archival inks. Frame is black natural with a white mattboard and Acrylite glazing.

Wall Murals are printed on 42" matte finish, self-adhesive Kodak PhotoText fabric panels that combine and mount easily on a non textured wall surface. We can custom make to any size, just ask.

Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each canvas is hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.


All our images are digitized from the original negative, printed and assembled in Switzerland to museum standards by our master printer.

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Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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