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Study for the Figure of Christ Carrying the Cross Gm-36718101

Sebastiano del Piombo (Italian, about 1485–1547) A tender and moving drawing, this is a preparatory study for Sebastiano del Piombo's painting of Christ Carrying the Cross (P00345) now in the Museo Nacional del Prado, Madrid. The pose, lighting and drapery of the figure in the Madrid painting are closely paralleled in the present drawing, which also indicates the position of the cross resting on Christ's shoulder. Differences in the facial features, the hair, and the addition of the crown of thorns in the painting suggest that the artist drew the sheet from a studio assistant placed in the pose of Christ. The drawing is a fascinating mix of Venetian and Roman draftsmanship, Sebastiano having trained and worked in Venice until arriving in Rome in 1511, two years before he made this sheet. There is the classic Venetian combination of blue paper with black chalk, and a characteristic softness of modelling in the facial features. On the Roman side there is a solidity to the drapery and a density to the form that shows Sebastiano's exposure to the draftsmanship of Raphael and Michelangelo, the latter of whom would become a key influence and mentor. The painting for which this is a study was commissioned by the Spanish Ambassador in Rome, Don Jéronimo de Vich y Valterra, probably in 1513 or 1514. The commission came through the mediation of the Sienese banker Agostino Chigi, and the painting shows a new dynamism in Sebastiano's work. The composition proved immensely influential among later Spanish painters, and it was widely copied. Sebastiano returned to the subject of Christ Carrying the Cross at least three times, and the theme became a leitmotif of his Roman career.

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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