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Ecce Homo, the king Caspar, the Virgin and Child and the Arms of the Families Kündig and Pfyffer Gm-37101101

Christoph Murer (Swiss, 1558–1614) This drawing, a design made for a stained glass window at a Swiss abbey, depicts the Ecce Homo. Crowned with thorns, Christ is displayed before the jeering crowd by Pontius Pilate shortly before he is crucified. Christ, scourged and bound, looks out at the masses while Pilate gazes out at the viewer, as if to implicate him or her in the action. Framing the scene are the Virgin and Child, the wise man King Caspar, and angels who bear instruments of the Passion. Below are the arms of the families from Lucerne who commissioned the window: the Kündigs, documented as bailiffs, and the Pfyffers, who were of noble stock.

Murer's drawing is part of a large and important series of stained glass window designs for the cloister of the Cistercian abbey of Rathausen in the canton of Lucerne. The works were executed between 1592 and 1623 and comprised sixty seven panes depicting scenes from the Old and New Testaments. Until 1611, the windows were made by Franz Fallenter, who followed the designs of various Swiss artists, including Daniel Lindtmayer, Hans Heinrich Wagman, and Christoph Murer. The large size and shape of the drawing, made from four sheets of paper glued together, match the actual dimensions of the window, which is preserved in Schloss Heidegg, Switzerland. The window is signed and dated by Fallenter (FF 1593).

We make each of our prints one at a time—just for you.

Our Giclée Prints are printed here in Switzerland, one at a time, on heavy matte German art paper using the finest 12-color Canon archival inks. Some images are panoramic or tall and narrow—please select the 18" x 36" format for these.

Our Premium Museum Frame in Black is custom-made in Lugano, Switzerland, using natural wood moulding in a matte black satin finish. Each includes thick, hand-cut white mat boards and Plexiglass glazing. We tailor and print each image to fit its specific ratio and dimensions within our custom-made frames. The hand-cut mats are extra thick. Each bespoke museum frame ships in a custom box. Rush shipping is available for projects with tight deadlines—this is our specialty, and you will not be disappointed.

Our Antiqued Museum Frame in Gold is a high-quality frame made of solid wood, featuring traditional 19th-century cast plaster moulded details and closed corners. These frames are works of art in themselves, each with a unique patina. The hand-rubbed corners and gold finish evoke the elegance of times past. Your selected image is printed on German art paper with archival inks and mounted to quality art board within the frame. Plexiglass is added for print protection and the back is covered with Kraft paper and a hanger is supplied ready to hang..

Our Stretched Canvas prints are hand-stretched over 1.25" thick pine bars and printed with archival inks on a cotton-poly matte finish canvas. These are best-in-industry Swiss-quality canvases, hand-coated for UV protection.

Wall Murals are printed on a matte-finish, self-adhesive poly/fabric material that mounts easily and is ideal for smooth wall surfaces.

Our Note Cards are amazing—each is printed individually on 100% cotton art paper, comes with a kraft envelope, and is individually sleeved. (Image is scaled to fit the format.)

All of our images are digitized from the original negative or print and printed by our master printer to museum standards.

Questions? Please email service@archivea.com or call/text +41 79 265 8891.

Artwork in this collection is from The J. Paul Getty Museum. Reproduction rights are reserved by the copyright owner and used under license by Archivea GmbH.

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